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A director revived her shelved AXE pitch as an AI spec, and it doubles as a demo for her employer

Cassandra Brooksbank remade a 2021 AXE pitch as a 60-second AI spec on Absurd, where she now works. Her plan-first method transfers, but no cost was disclosed and the film shows no spec label on screen.

Drafted by The Generated · Filed by The Generated

Cassandra Brooksbank pitched an AXE commercial in 2021: a young man in a huge orange puffer jacket squeezes onto a packed New York subway car, and the jacket swells with his sweat until it bursts. She says the job was shelved for budget reasons. This month she made it anyway, as a 60-second AI film called For Days That Run Hot, and wrote up exactly how on No Film School. Swipe for 20 seconds of it, sound on.

She ran it like a live-action job. The treatment and storyboard came first, and the boards took under a day instead of most of a week. She locked about 20 commuters, the jacket at each stage of swelling and a seating plan for the whole car before generating any footage, because, in her words, AI "has a notoriously terrible sense of geography." The footage came from ByteDance's Seedance 2.5 in short sequences of three to five shots, with two cheap low-resolution takes before each approved version was made at full quality. Cinematographer Andrew Fletcher graded it.

Two things sit beside the craft. Brooksbank now works at Absurd, the AI startup whose platform she used, and its chief executive is the film's executive producer, so this is also a showcase for her employer. No cost has been disclosed, and while the write-up calls it an unofficial spec, the end card shows real AXE products with no spec label on screen. Nothing published says whether Unilever or the agency knew about the remake.

Our take: the method transfers to any director with a folder of dead pitches, and the price tag is the one number still missing.

The clip is Cassandra Brooksbank's, from her own Vimeo upload. If it's yours and you want it removed, message us and it comes down.

Sources: No Film School, LBB, Vimeo, Oct 19 and 20, 2026.

Read the full article: thegenerated.com/stories/axe-spec-ai-cassandra-brooksbank-absurd-20261021

Provenance — No Film School · Status: verified: MEDIUM (single first-person piece, No Film School)
A director's shelved AXE pitch came back as a 48-shot AI spec
Brands

Cassandra Brooksbank revived her dead AXE pitch with AI, and it doubles as a demo for her new employer

Cassandra Brooksbank pitched an AXE subway spot in 2021 that was shelved for budget. Five years on she made it with Seedance 2.5 and four image models on Absurd, where she is listed as managing director of commercials, so it doubles as a demo. Her treatment-first, locked-reference method transfers, but the cost is undisclosed and AXE has said nothing.

Drafted by The Generated · Filed by The Generated
A man in a hugely inflated orange puffer jacket sits in a crowded New York subway car as jets of sweat spray across startled commuters, one falling in the foreground

A young man in an enormous orange puffer jacket stands at the top of a snowy subway entrance in New York, then squeezes into a packed car next to a nun, a germaphobe in a surgical mask, a mother with a baby and a woman holding a small white dog. Over the next 60 seconds the jacket swells with his sweat, presses into the baby's face, bursts at the seams and floods the train. The last shot before the packshot is the nun, soaked.

The film is called For Days That Run Hot, and director Cassandra Brooksbank first pitched it in 2021 as an AXE spot written at The Martin Agency. She says it was shelved for budget reasons. This month she made it anyway, with AI, and on Tuesday she published a long first-person breakdown of how on No Film School. The method is the most useful thing in it. The context matters too: Brooksbank now helps run the AI company whose platform she used, and the film works as a showcase for it.

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