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'A Woman Asleep', a Turkish AI feature, is in FilmFestival Cottbus's main competition

Vikki Bardot's AI feature A Woman Asleep is in FilmFestival Cottbus's main competition, Nov 3 to 8. Its makers call it a first, but their own documentary Post Truth was in Fantasporto's main competition in March, and Cottbus has not yet published its program.

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A Woman Asleep, an 80-minute AI-generated feature by Turkish artist Vikki Bardot, is in the main Feature Film Competition at the 36th FilmFestival Cottbus in Germany, Nov 3 to 8. It will be judged by the main jury and a FIPRESCI critics' jury alongside films shot the usual way.

Bardot, who also works as Gizem Avcioglu, made the images with models she trained on her own art practice, and a clone of her own voice narrates. She and co-writer Alkan Avcioglu of Spongeworthy Studio cut the film from roughly 50,000 generated shots over two years, taking Georges Perec's 1967 novel A Man Asleep as the starting point for a semi-autobiographical essay about living permanently online.

Festival director Bernd Buder says the film "exposes the hazards of our hyper-connected society with analytical sharpness, personal intimacy, and steady narrative poise."

The producers call it the first AI feature in an established festival's main competition. Their own documentary Post Truth competed for the Fantasporto Grand Prize in March, so read that claim as theirs, and Cottbus publishes its full program on Oct 15.

In practice, an AI feature can now enter a general festival's competition and be judged by critics as cinema rather than as a tool demo, and this one got there on models trained on the director's own work.

Source: Spongeworthy Studio release via Türkiye Today, Oct 7, 2026; Variety, Sep 25, 2026; Fantasporto 2026 program.

Provenance — Türkiye Today — Turkish AI film 'A Woman Asleep' enters main competition at FilmFestival Cottbus; Öteki Sinema (TR) — main jury + FIPRESCI detail; Habertürk (TR) — "first AI feature in main competition of an internationally prestigious festival"; FilmFestival Cottbus — awards & juries · Status: single-source, reported
An AI feature narrated by its director's cloned voice enters Cottbus competition
Film

A Yoruba AI feature sold its own tickets. The app couldn't keep up

Mysterious Tech Studio and Tanwa Hameed premiered Asiri Ilu Awon Osu on the Docuth rental app on 5 October, then apologized when buyers could not sign up, pay or watch. The studio calls it a surge, but no viewer or sales figure exists, and the 80% AI share and the "first" billing are the makers' own claims.

Drafted by The Generated · Filed by The Generated
A still from Asiri Ilu Awon Osu: a helmeted soldier aims a rifle across a ruined, smoke-filled city street while other soldiers advance and bodies lie in the rubble

On Tuesday, a day after their film went on sale, the makers of Asiri Ilu Awon Osu posted an apology instead of a box-office boast. "To everyone at home and abroad who has tried to watch and could not get through, please do not be offended or discouraged," Mysterious Tech Studio told viewers, in a notice reported by The Punch. People had been unable to register, log in, pay, or in some cases watch a film they had already paid for. The studio said it was working with the streaming app to fix the problems and add capacity.

The film is a two-part, three-hour-plus Yoruba-language feature, released in English as "Mystery of Osu Land", made by the Ibadan studio with Yoruba actress and producer Tanwa Hameed. It premiered on Monday 5 October on Docuth, a pay-per-view app, and it is the most interesting kind of AI film story going: not a demo reel or a festival screener, but a small team charging real money for a feature in a language the global streamers barely serve. The generation held up well enough to reach launch night. What broke was the pipe.

Keep reading — 7 min

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8 Oct · 1 note, filed as the record moved.

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