Skip to content
Note—001DevelopingFilm

DISRUPT AI Film Festival reports 487 entries, but only Australian residents can win

TBWA Australia's festival says entries rose 31% to 487. Its own white paper counted 73 Australian films among last year's 371, and this year's eligible count is not public.

Drafted by The Generated · Filed by The Generated

Only Australian residents can win TBWA Australia's DISRUPT AI Film Festival, yet its own research says most of last year's entries came from overseas. This year's headline number skips that split, and free entry carries a price in data that the terms spell out.

The agency announced on Tuesday that its second edition drew 487 entries, up 31% from 371 in 2025. The white paper it published with Deakin and Swinburne universities counted 73 Australian films among those 371, so overseas entries outnumbered local ones more than four to one. The release does not say how many of this year's 487 can actually win.

The prize got smaller too. Four awards pay A$2,500 each, a A$10,000 pool, while a TBWA Australia LinkedIn post said each 2025 winner received $5,000. A 12-person jury chaired by TBWA creative chief Paul Reardon names the winners at The Capitol in Melbourne on Nov 18, and a Sydney screening follows on Nov 24. The festival site lists the Melbourne night as invite-only.

For Australian makers the odds are better than 487 suggests: last year 73 local films competed for 38 shortlist spots, judged by agency creative chiefs and Google's creative partnerships team. The catch sits in the terms, which let entrants' tools, key prompts and personal details go to sponsors and partners for marketing.

Our take: DISRUPT is a real door, and it publishes better research than most festivals. Publish the eligible count, and the 31% growth story gets more honest and more interesting.

Source: DISRUPT release via Campaign Brief, Nov 10, 2026, and the festival's white paper with Deakin and Swinburne.

Read the full article: thegenerated.com/stories/disrupt-ai-film-festival-487-entries-20261111

Provenance — Campaign Brief: programme and dates; AdNews: festival announcement · Status: verified: MEDIUM (Campaign Brief + AdNews + Mi3; overlapping announcement-led coverage)
DISRUPT counts 487 AI film entries, but only Australians can win
Film

Zhao Liying sues Hongguo and Douyin, testing whether a recognizable AI face makes the app pay

Zhao Liying sued Hongguo's operator, its parent Douyin Information Service and an individual for portrait-rights infringement, and a Beijing court heard it on 10 November. Reports say AI face swaps are at issue, though no complaint is public. In March the Beijing Internet Court ruled a recognizable AI face is a portrait and an unreviewed platform pays too.

Drafted by The Generated · Filed by The Generated
Zhao Liying with a short black bob and long jeweled earrings, smiling slightly on the red carpet of the Tokyo International Film Festival in 2024

Chinese actress Zhao Liying has sued Beijing Bimo Liuxiang Technology, which runs the Hongguo short-drama app, along with its sole shareholder Beijing Douyin Information Service and one individual, for infringing her portrait rights. Beijing's Mentougou District People's Court heard the case online on Tuesday 10 November, according to a court hearing notice. No ruling has been issued.

Chinese media say the suit targets AI face-swapped microdramas, though no complaint or statement from her side has been published. The rule it will test already exists. In March the Beijing Internet Court held that an AI face does not have to be an exact copy to be someone's portrait, and that a platform which streams it without reasonable review shares the liability. Much of this week's coverage called Zhao's suit the first of its kind, and it isn't. What is new is who sits in the dock: the operator of China's biggest short-drama app and its parent company.

Keep reading — 5 min

That’s all of Film today.

1 note, filed as the record moved.

Hollywood & Film — archive

Also filed

Models1 note
TikTok opens its best AI video model to advertisers who never spend $5,000
TikTok now sells Seedance access in Symphony without its $5,000 ad spend rule, outside North America

Advertisers outside North America can now pay BytePlus inside Symphony to use Dreamina Seedance whatever their ad spend. TikTok shows no price inside Symphony, and the 30 second clips date from August.

One scene, two AI video tools, two different strengths
Microdrama maker finds Seedance smooth on dialogue, Grok better on accents

Antonio Brice ran one microdrama scene through Seedance 2.5 and Grok Imagine and reports smoother dialogue from Seedance but correct accents only from Grok. It is one maker's uncontrolled test at different resolutions, not a benchmark.

CAA and Ogilvy will make celebrity ads from licensed digital doubles
CAA and Ogilvy launch ECHO, letting brands make AI ads from licensed celebrity scans

Ogilvy's ECHO builds ads from scans kept in The CAA Vault, and the star must approve every asset before release. Terry Crews is the only reported talent so far, no brands are named, and the cost savings are the companies' own estimates.