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Reality TV throws away 99% of its footage

Quickture's pitch, relayed by The Ankler, is that one reality shoot could become five shows, but its documented use is casting reels and no network is reported making new TV from unaired footage.

Drafted by The Generated · Filed by The Generated

Reality TV shoots somewhere between 150 and 250 hours of footage for every hour that airs, and an AI editing startup called Quickture wants to turn the leftovers into programming. That is the pitch in Erik Barmack's Reel AI column in The Ankler on Wednesday: one reality shoot producing four, five or more shows, built around whichever cast member, relationship or scandal viewers are obsessing over that week.

The idea is Quickture's, not an Ankler finding. The company was founded by Irad Eyal, creator of Bravo's Southern Charm, and former network executive Matt Hanna, and it has raised $6.4 million. Its documented use is narrower than the pitch: ITV says an editing assistant doubled Love Island casting clips from four to eight per session, and no network is reported making new episodes from unaired footage with AI.

The 99% figure needs a footnote too. It counts camera hours, and a reality scene is covered by four to eight cameras at once, so most of it is the same moment from another angle. Nobody has sized the slice that is genuinely unseen story.

In practice, the useful reading came from Eyal himself, replying to a showrunner under the column: the goal is to help story producers and editors "build their story faster and better, not make the decisions for them." A tool can find every clip of two cast members arguing across eight cameras, but deciding what that argument means is the job that gets more valuable.

Source: The Ankler, 23 Sep 2026; Quickture; ITV via Deadline.

Provenance — The Ankler · Status: verified: MEDIUM — single trade analysis piece (The Ankler, Reel AI column).
Reality TV throws away 99% of its footage. An AI startup wants the leftovers
Film

Thirty seconds, or a two-month wait: the two AI arguments Hollywood is actually having

Danny Boyle disclosed about 30 seconds of generative AI in Ink, and Guillermo del Toro argued the tools skip the struggle that produces good work. They are two different arguments, and only the disclosure one gives creators a rule they can follow yet.

Drafted by The Generated · Filed by The Generated
Two anonymous silhouettes arguing across a split background, one on cobalt blue and one on orange, pointing at each other

Within about 30 hours of each other in early September, two directors with nothing to prove gave the clearest statements yet on generative AI in feature films, and they were not arguing about the same thing.

Danny Boyle, at Telluride, told Vanity Fair that his Rupert Murdoch drama Ink contains "about 30 seconds" of generative AI: a couple of animated archival photographs, plus AI mice running around The Sun newsroom. Guillermo del Toro, answering a question in an r/movies AMA posted on 9 September, said the thing a machine takes from you is not a job but the route to your best work: "AI can get you to the middle really fast, but there's a dialectic with the process that gets you to that top 10%."

Keep reading — 7 min

That’s all of Film.

24 Sept · 1 note, filed as the record moved.

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